1803
The bell at the wrong hour
The catechist Madurendira Annaviyar climbed up to the altar and wiped her face, and the tears came again, and would not stop. Then they rang the bell. It was not an hour at which the bell was ever rung, and the whole village came in from the fields and the houses to see why. They stood and looked, and then they wept and prayed, and sang the old penitential chant that is sung when a people is afraid: “Parce Domine, parce populo tuo.” Spare, O Lord, spare your people. And as they prayed, the statue and all the other images “resumed their customary aspect”, and the face above the altar was an ordinary carved face again.
In English
“As they besought the divine Mother of heaven with tears, swift as lightning her statue returned to its first pose; and all the other images of the saints resumed their accustomed aspect.”
What this source establishes
Dessal (1905) on the ending: as the village wept and prayed, the statue returned to its first pose and all the other saints’ images resumed their normal aspect — the same resumption Besse gives.